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AverMedia Avervision V355AF Visualiser £563.87 

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  • Type: Adjustable Arm
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Part No: P0F3P EAN/UPC AVERMEDIA Click on link for pdf  avervision355afvisualiser.pdf
Manufacturers description for AverMedia Avervision V355AF Visualiser

The AVerVision V355AF is the latest Visualiser from AVermedia and features a 'One-touch' audio and video recording to USB Stick feature. A high frame rate (24fps) means that video reproduction is seamless. In addition, the V355AF has a 5 megapixel camera for crystal clear images and an 80 x Zoom so you can get up close to your subject. The V355AF has a large shooting area of 355mm x 280mm, which means that A4 pages can easily be displayed on screen. The V355AF comes complete with AVerMedia's new Aver+ software, which is a brand new interface which allows users to draw, annotate, record video and audio as well as setting up multiple-user networks and much, much more. User friendly menus give quick and easy access to hundreds of features giving you complete control of your V355AF Visualiser, whether you are a Mac or PC user. As with all of the latest AVerMedia products, the V355AF comes complete with a 5 year warranty for total peace of mind. .5MP Camera .On board audio and video recording to USB flash drive and SD card .Support 1080p HD output for clear image protection .Quick response time Auto Focus and up to 24 frame per second .Up to 80X Zoom including 5X optical Zoom, 2X AVERZOOMT and 8X digital zoom and pan .

Built in memory for 80 true 5 Mega pixel image capture resolution .Built-in LED light module with patented laser positioning guides .Split Screen and Picture-in-Picture, AVerBox and AVerVisor features .Powerful and seamless AVer+ software for AVerVision doc cam and AVerPen Integration .360 degree accessible remote control

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Technical Specification- P0F3P

 

  Resolution    
  Focus  
  Optical Zoom    
  Digital Zoom    
  Type Adjustable Arm  
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There are two types of columns the gooseneck and the rigid arms are generally used in visualisers today.

The Gooseneck column is extremely maneuverable by positioning the camera head over, around and across the subject being viewed. Once the column is in place it will maintain its position. The column attaches to the camera head and to the base accommodating any cables. This type of column is particularly useful for displaying subjects through microscopes as the camera head can be positioned strategically over the eye piece.

Rigid columns are fixed arms which attach the camera head to the base with appropriate cables running through the column. They come in either fixed lengths or telescopic variants.

Rigid columns are fixed at the base usually with a hinge assembly, which allows the camera to be folded down for portability or to be brought down for better viewing of the subject on the base stage.

Base  

The Visualisers base serves two functions. Firstly it creates a firm footing to make the visualiser stable to ensure that it will not topple over. Secondly the base usually houses the base light, main power, control panels, stage, input/output connections and processing circuitry.

Base Lights / Light boxes

Base Lights / Light Boxes For Visualisers

Base lighting, where fitted, is designed to illuminate viewing subjects from behind, such as transparencies and vary in size from 127 x 100mm up to A4 (approx. 297 x 210mm). Normally the light box is constructed out of two Cold Cathode Fluorescent Lamps located either side of the lighting assembly which allows an even spread of light across the entire surface.

Optional accessory light boxes are also offered in a number of cases when they are not integral to the Visualiser.

Camera
 

The main part of any Visualiser is the camera, which will determine what is seen by the Visualiser and the level of image quality. The camera will consist of an image sensor and will usually be either a CCD or CMOS Active Pixel Sensor. Progressive Scan CCD technology is applied in certain models. Important to the quality of the image is the lens array on front of the image sensor and coupled with the resolution of the image sensor. This can make the difference between a good picture and a great picture. The majority of Desktop Visualisers will have a motorised zoom lens which makes it easy to select the correct view of the subject material.

Cameras are commonly located in a housing which will be fixed at a point to permit the camera to move on its axis. The degree to which that movement can be effected depends on the design of the visualiser. With gooseneck types the camera housing is either fixed or limited in movement about its fixing point as manoeuvrability is provided by the gooseneck itself.

Rigid column units commonly have their cameras in a housing attached to an assembly, which provides movement in the vertical axis up to a maximum angle of approximately 90° either side of the down looking position. This allows the camera to look away from the stage both forward and rearward (NB. Unless compensated for, the image will be upside down when looking away from the stage toward the position that the operator would normally stand. Few models provide compensation for this effect. When looking away from the operator the image will be the correct way up).

Depending on the construction and depth of field of the camera lens, Desktop Visualisers will be fitted with a "close-up" lens, which enables the camera to focus and magnify over short distances, i.e. down towards the stage. When viewing away from the stage at distanced objects, when the camera housing is rotated away from the stage, the close-up lens is redundant. Two common types of fixings for these lenses are either screw (similar to SLR camera lens filter fixings), or "flip-up" where the lens is housed in a narrow frame and fixed to the camera head by a hinge arrangement, closing over the main camera lens when close-up viewing is required, and opening or "flipping-up" when distance viewing is in use. Visualisers not fitted with a close-up lens do not require one due either to their design purpose or lens construction.

Camera heads can also contain wireless remote control receivers to maximise the visibility for reception of signals from the handheld transmitter.

Control Panel

Control panels of Visualisers are strategically located for ease of access and use and usually to avoid the camera being obscured by the operator's arm in use.

Desktop Visualisers usually have control panels located at the front of the base stage or on the camera head. Their size and complexity depend on the degree of functionality offered. The majority are push-button and some include "jog shuttle" type controls, all are designed to be intuitive to allow the first-time user to start operation within seconds of introduction to the unit.

Input / Output Panel

 With the exception of USB-only connected units, connector panels are usually located at the rear and/or the side of the visualiser base and their size depends on the functionality and features of the unit. They can be limited to a single connector or provide full connectivity to suit any display type or resolution.

Commonly provided connectivity on Visualisers is: D-sub 15 pin VGA, S-Video (4 pin Mini DIN), Composite Video (RCA/Phono) and BNC. DVI is beginning to appear in some models and offers High-Definition multimedia Interface (HDMI. Audio connectivity is provided by: Mini Jack or RCA/Phono. PC connectivity is provided almost exclusively by USB 1.0/1.1 (12 Mbits/second) or USB 2.0 (up to 480 Mbits/second).

Overhead Lights

Where lights are fitted they can vary in size, type, output and number. Several manufacturers choose LED technology due to intensity, colour temperature, cost and lifespan. Others use CCFL (Cold Cathode Fluorescent), standard Fluorescent or Halogen lamps which are equally as efficient.

Lamps can be mounted on separate smaller columns fixed to the side of the unit's base, at the hinge point of the main column or integral to the camera head itself. Usually lighting is designed to offer directional control which varies the amount of light from the subject reaching the camera. This directional adjustment enables optimum illumination of the subject to be achieved and helps in diminishing the occurrence of "hot spots" or "white outs" and is achieved by gradual rotation of the light unit and the angle of adjustment of the arms they are mounted to.

Special Application Visualisers

Associated Software

Due to increasing technology standards, visualisers are now capable of communicating with laptops, MACs and PCs. Visualiser manufacturers are providing software to boost productivity and provide drivers to ensure faultless image transfer. The images produced by visualisers can now be incorporated into the visualiser's software which is adaptable with one or more imaging standards (.gif, jpg, etc...).

What can this software really do?

Visualiser software can perform numerous functions that are only possible when it is in the digital domain. Software can be an extremely powerful tool, some of the functions that they perform are:

  • image capture
  • image storage
  • movie (AVI) record and store (both real-time and time lapse)
  • image manipulation
  • archiving and retrieval
  • undo and redo functions
  • magnify
  • measurement and logging
  • export data to a Microsoft® spreadsheet
  • inserting text, drawing functions include - arrows, lines, circles, ellipses, pencil tools
  • Image adjustment can include - brightness, contrast, and negative/positive.

Users can share live video across a network, images can be displayed full screen or within a Graphical User Interface. Images can be emailed and screens can be customized.

Available Software

Examples of software are:

  • Elmo's Image Mate

Interactive Whiteboards have software that is equally, if not more powerful than most Visualiser software that can be used in the integration of images from visualisers into a wide range of content software for presentation.

Popular software packages are:

  • SMART Board™ software
  • Promethean's Activprimary
  • Activstudio and PX
  • RM's Easiteach.

 Auto Focus (or AF)

This is a common feature found on most visualisers. The subject being viewed is automatically focused to the correct focus instead of an individually focusing manually. Most systems continuously maintain the focus, adjusting for any difference throughout the presentation

Auto Iris 

This is an automatic process which controls the amount of light being picked up by the image. This feature effects the darkening or lightning of the image which can be useful when environments are either too light or too dark. 

Colour / Black & White Selection
 

 This feature converts a colour picture to a black and white one. "Noise" can often occur in colour pictures and this feature is to help eradicate the "noise" of the picture. When this feature is used, the image is more stable and white and dark are easier to define.

Digital Magnification

This feature provides additional magnification to the optical magnification. Depending on the model, magnification of up to 300 times can be achieved.

Drawing Function

This feature enables the presenter to draw or annotate directly over the document being viewed. The annotation is done using "electronic ink" which can come in many colours for different types of emphasis.

Edge Enhancement

A "halo" effect can sometimes be caused on images such as black text on white; this feature helps to eliminate this from occurring.

External Image Save

Apart from the memory which is provided in the visualiser itself for storing your images, you can use a USB cord to transfer the images to your computer for extra storage or use a SD Card for additional memory.

Gamma Correction

By coding or decoding luminance in video this function helps to optimize the image.

Image Mode

These modes are a set of image enhancement algorithms designed for use depending on the type of subject you are viewing. For example, one of these modes can be used to diminish the "halo" effect created by a high contrast image.

Image Rotation

This is a digital function in which the subject being viewed can be digitally turned 90 degrees at a time without physically moving the subject material.

Internal Image Save

The majority of visualisers have on-board memory to store images. The memory capacity varies from model to model but y ou can store anywhere from 3 up to 80 images for easy retrieval.

Locks the keypad to prevent an undesired selection of a control feature. Usually selected by a combination of buttons.

Negative Positive Conversion

This feature allows colour and black and white images to be converted from positive images to negative images and vice versa. 

Pause / Freeze Mode -This feature allows the presenter to freeze the image last seen on the visualiser allowing the presenter to remove the previous subject with a new one without any disruption in the flow of the presentation.

 Projector control -Functions of the display device can be controlled by the visualiser.This is usually RS232 or USB

Screen split -When comparing images this function can be extremely helpful. The screen is split 50/50 either vertically or horizontally. For example a live image can be displayed with a stored image.

Signal Pass-through -The signal from your computer can pass through the visualiser (even when turned off) to the computer and the image from your computer can be shown on the display device. Slide Show -Displays sequential images from either internal or external memory sources.

Split Display / Slideshow -This feature is associated with image memory, either external or internal. In this feature you can display numerous thumbnail images stored in the memory. The number of images you can display varies from different models, but it can be from 4 to 16 images. 

State Presetting - This feature memories default settings for a particular presenter or function (viewing document, object etc...) It can memorize zoom, image rotation, colour balance, white balance, brightness, lighting, edge enhancement, gamma, positive/negative and B&W selection.

 White Balance -This feature manipulates the colour temperature seen by the camera, thus giving the right colour image on the screen. 

 
 

The Essential Projector Guide - Click to find out everything you ever needed to know about Projectors. How to choose the right projector, how the differences in technology effect you. Explanation of Projector terms and what that means to you.

Projectors are what Just Projectors have been specialising in for the last 10 years. To understand what the benefits are of a projector , it is useful to know exactly what a it can do and also the different type of technologies which will help you decide which one  maybe say more useful as a business projector rather  than say a home cinema projector set-up. Firstly  what is a projector;  it is in fact an electrical device that when light is integrated with an optics system then the end result is a large image being displayed from say a computer , video source or a games console.  Projectors can be manufactured in 3 main types, LCD, DLP and  Lcos  .

DLP Projectors- which stands for digital light processing is the newest entrance and it has  revolutionised not only the pricing but also the longevity of the projector. So what are DLP Projectors, well Texas Instruments back in 1987 developed the DLP chip.  As with all things in the projector world things have moved on, in March 2008 the new DPP1500 chipset was developed which has brought about the Pico or micro projectors which amazingly means that it can be the size of a mobile phone, although it is time to say that these micro pico projectors still need to improve their light output to really be taken seriously.

DLP Projector have the advantage of being cheaper to make, hence a cheap projector price is available, the projector lamps do not deteriorate over their lamp life and the actual projector lamps are themselves in the region of £115 rather than a price tag of £220. So DLP projectors work in a different way from LCD Projectors

DLP  work by thousands of mirrors set out in an array of pixels to replicate the projectors resolution. Each mirror is thinner than a firth of a human hair. With the use of hinges the dlp chip mirrors create light and dark pixels by being either off or on. The white light generated then is shone through a colour wheel of up to six colours. The human eye sees all the colours and the result is a full colour image.

Features about DLP Projectors are that they do not require you to maintain the projector regularly as they do not any filter. They are able to achieve high contrast ratios which means blacks are black which is a particular favourite for a home cinema projector user.  So after reading all this about DLP projectors you might wonder why we sell other types of projectors such as LCD or Lcos Projectors, the simple fact is that often the colours are not as accurate. Benq, Acer, Optoma and Viewsonic are the main manufacturers of DLP.

LCD Projectors have been in existence longer than any other technology. The colours on these are extremely accurate and if you need a projector for use as a photographer or graphic designer then we would always recommend a LCD Projector. How does an LCD or sometimes known as 3LCD projector actually work, well there are three liquid crystal panels , a lamp , prism and filters. In lamp shines white light through a polarizing filter, then a series of dichroic mirrors .The three colour red, green and blue are then sent to a separate LCD panel; remember there are three of them. From there the LCD panels send the light through the dichroic prism which recombines the light and sends it out the main lens in the LCD projector to the surface against which it is projected. Each LCD can control one colour. So if you were to see a picture of a red plane against a blue sky, the green LCD would block the light from passing to the dichroic prism and out the lens. This is very technical but the upshot is that accuracy of colours is the key reason why people choose LCD projectors.  The projector lamp prices are higher and there is often deterioration over a period of time but the quality of an LCD is superior to a DLP Projector and when buying a HD home cinema projector that is what Just Projectors would recommend. The main manufacturers for LCD are Epson, Sanyo. Hitachi and higher end Mitsubishi.

Lcos or Liquid crystal over silicon projectors are a hybrid of LCD and DLP .  LCOS will produce the most accurate video that is capable of far better than either LCD or DLP. How does Lcos projectors work, light passes through these LCD panels on the way to the lens and is modulated by the liquid crystals as it passes. Thus it is a "transmissive" technology. Lcos uses liquid crystals instead of individual mirrors. Three LCOS chips, one each to modulate light in the red, green, and blue channels which is like LCD panels  The end result is a very high resolution image, they tend only to start at SXGA (1365x1024). So if the technology is so good why aren’t all projectors made that way, the simple reason is price, which out of the reach of most people who are buying a business projector. The contrast ratio on a Lcos projector is often restricted to around 500:1, lamp life is often shorted with them not achieving much more than 1500 hours so cost of ownership tends to be very high. And finally they are not any ultra portable Lcos projectors .LCOS  technology is usually very high resolution, and typically higher in price than most LCD and DLP products. There is no such thing as an SVGA resolution LCOS projector, and we know of only one very rare XGA resolution machine. Generally LCOS machines begin to appear in the resolution class and higher. So by definition they are not cheap to produce as are not many are sold there are few volume efficiencies achievable. If you can afford Lcos then the well-informed people buying home projectors will recognise that Lcos projectors have a lot to offer as they have all the benefit of LCD but without as the pixels are significantly smaller there is no chicken wire effect. Also the pixels are much smoother then DLP sharp edges, which again helps provide the smooth image quality. Typical manufacturers of Lcos projectors are Canon and JVC

So now Just Projectors have explained how projectors work and the different types of technology it is important to work out which one is suitable for your needs. There are 5 main choices you have when buying a projector; what resolution, what brightness, what technology, what inputs can it take and what is the throw ratio. Looking at all of these in turn.

Brightness is measured in Ansi lumens, this is standard that every projector is measured against so that you know if its 3000 Lumens then its brighter than say a 1500 lumens. It is not true to say that a brighter projector is always better as especially for home cinema projectors you would really be looking for a high contrast and the more lumens then that will reduce the contrast available. So it’s important to get the right lumens for the right requirement. We typically recommend 1200-1800 lumens for home theatre and over 2000 lumens for the business projectors. Education projectors often tend to be lower lumens but in recent months it seems that 2000 Lumens now is the minimum requirement. If you have an audience size of more than 50 people which in turn means you need a larger projector screen then the lumens output should be in the regard of 3000 lumens. Large venue projectors or projectors for meeting rooms should be around 3500 lumens upwards. If you are a mobile projector user then lower lumens is often acceptable as you are trying often to have ultra light projectors which usually are no so bright. With the emergence of Ultra short throw projectors then the lumens output can be reduced as the image doesn’t have to travel so far to get to projector screen and the ambient light has less effect on the projector image. Typically ultra short throw projectors are around 2000 lumens.

Resolution is the number of pixels that the projector displays its native resolution. Often projectors will claim to be SXGA projectors but in fact that is not their native resolution and some compression is taking place. The lowest resolution that is acceptable is SVGA (800x 600). These are the cheapest projectors and really you should only buy these is you have a very low budget. Take a look on your computer and change the display to see what SVGA resolution looks like and you will see that it is quite poor. If however you only want to use a it for showing Dvd’s or video content then a SVGA projector would be suitable. We sell more XGA projectors (1024 x 768) than any other type; although surprisingly this isn’t the resolution most people pcs or laptops run at but as these are the most affordable and there are more of these than any others available.  WXGA projectors (1280 x 720) are increasingly becoming popular now that people are beginning to enjoy viewing presentation is wide screen format. WXGA projectors also have the benefit that they mimic a HD resolution 720p, so if you wanted to have a business projector but also take it home and maybe use it for gaming then it would be more suitable than an XGA projector. In the last few years people have wanted HD projectors to view TV, play games or look at blu-ray dvd’s. In the past these have only targeted the home cinema market but there is now an emergence for HD projectors for graphic design and web design companies. The increased brightness of say the Optoma EH1020  with its 3000 lumens and 1080p projector HD resolution is a prime example of how the market is changing. Canon in the past have really had the corner on the SXGA+ (1400 x1050) projector market with their Canon XEED range but again with the HD range increasing this seems to be a less popular resolution. We do however still recommend SXGA+ projectors for camera club and photographers mainly because they use the Lcos technology which has been previously explained above.

Inputs on a projector are so important so do not ignore them when buying.. All machines will be supplied with composite video (yellow) connection which is the simplest but poorest quality signal. All are supplied with at least one VGA or also known as RGB connection which links to your laptop or pc. The better ones have two VGA inputs which always you display more than one input source at a time. Having a VGA output is useful when you want to display both your projector image and also to be able to view your monitor at the same time.  Component video or BNC which is the red/green/blue connection is a much higher quality than the composite video as it provides a correct display of the signal

S-Video is a standard connection supplied and like composite it is used for video it does slightly differ as it splits the video signal into two different components: Luminance and Chrominance which results in a better image quality than composite video. HDMI is fast becoming the must have connection as it is the basically a digital version of a scart connection and it has the advantage that it also carries audio.

Having a RS232 is basically a control connection to allow your projector to communicate with other devices such as electric screen.

Projector Throw Ratio Probably one of the most important specifications of any projector but most people don't know about it or don't know how to calculate this very simple formulae. If you are in mobile situation you might have limited space so knowing the throw is important. If you are installing then it is vital. If you know you screen size width say in metres (SS) then multiply the throw ratio (TR) and that will say how far away - distance (D) you need to place the projector. If there are two TR's then that is the zoom within that range SS x TR = D Eg screen size 2m , Throw Ratio 1.9 - 2.1 = 3.98m-4.2m Calculation 2 (SS) x 1.9 (TR) =3.98m away - distance the projectors needs to be from the screen 2 (SS) x 2.1 (TR) =4.2m away - distance the projectors needs to be from the screen Another example- a projector with a fixed lens- so must be placed at a exact distance SS x TR = D Eg screen size 2m , Throw Ratio 0.5 = 1m Calculation 2 (SS) x 0.5 (TR) 1m - distance the projectors needs to be from the screen So as you can see the lower the throw ratio (TR) the close or short the throw the projector is. Handy Hint 1: - If you have a tricky installation situation choose a projector that has a larger Throw Ratio range eg 1.4-2.1 which will give you greater flexibility Handy Hint 2: If you choose projector with an unusually large throw or short throw then bear in mind that any installation that you set up will mean that the next time you purchase a projector you will need to get a projector with the same throw ratio, and therefore maybe limit your choice in the future. If you want to know how big an image a certain projector will produce from a certain size then the calculation is still very simple Distance away from the screen (D) divided by Throw Ratio = Screen width (SS) Eg distance away 4m , Throw Ratio 1.5 - 1.8 = 2.22-2.6m image width or screen size Calculation 4 (D) / 1.8 (TR) =2.66m width of screen required 4 (D) / 1.5 (TR) =2.22m width of screen required So at 4m the image size will be between 2.22m and 2.6m An example- a projector with a fixed lens- so must be placed at a exact distance D/TR = SS E.g. distance away 4m , Throw Ratio 2 Calculation 4 (D) / 2 (TR) =2m width of screen required This means if you need a larger or smaller image then you have to move the projector as there isn't any zoom on the lens Every one of projecotr pages has a projector throw distance /screen size calculator too to make it easier for you

The last thing to mention is what is the future of projectors , certainly getting smaller for the mobile presenter, led technology has seen the emergence of the pico projectors or micro projectors which weigh less than 50g’s and Just Projectors believes that the low lumens output will be resolved within the next 5 years. Led projector with a combination of DLP technology has also seen the first lamp free projectors being made available, notably the Casio XJ-S range. They have a lamp life of 20,000 hours and without the mercury in any lamp is now the green option. 3D Projectors have always been available but now they are affordable. Using active technology DLP projectors can now show 3D using a single projector using the active shutter glasses and the prices are under £500 for a 3D solution. However a note of caution as yet 3D projectors only works with Sky TV if you purchase an Optoma 3d-xl adaptor.

Hopefully you would have found this article about projectors to be useful but please contact us at Just Projectors for all your projector needs.


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